/ Chicago / Places to Visit / Black Ensemble Theater
Committed to building racial bridges through telling stories of African-American history to a cross-cultural audience.
Committed to building racial bridges through telling stories of African-American history to a cross-cultural audience. If that sounds stodgy, consider how they do it: recent productions have included Memphis Soul, a full-scale resurrection of the sound and story of Stax Records.
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4450 North Clark Street, Chicago, IL, United States
+1 773-769-4451
A social services agency for the Chicago Japanese community with occasional exhibits of interest, such as a collection of photos and art relating to internment camps during World War II
Probably the only old Balaban and Katz movie palace that's still in full use as a nightly entertainment venue, mostly for all-ages punk and indie rock bands, but occasionally hip-hop as well
Jazz and lots of it at this Uptown landmark, famously an old hangout of Al Capone (who's not, though, around as much as he used to be)
The Graceland Cemetery is a large Victorian era cemetery and arboretum spread over 119 acres in the north side community area of Uptown
The Annoyance began with the long-running Co-ed Prison Sluts, which set the tone for what followed: fun, original shows with equal parts ironic kitsch and cheerful shock, led by Mick Napier, who directed some of Second City's best shows
Overshadowed by the magnificent Graceland Cemetery across the street in Uptown, the smaller, slightly overgrown Wunders was established in 1859 and features some intriguing monuments, with more of a forgotten-by-time atmosphere than its more famous neighbor
Built in 1926 with an interior that is meant to recreate a Spanish palace courtyard, the Aragon cost more than two million dollars at the time, and the well-preserved interior still has the otherworldly brilliance
Celebrates Swedish-American heritage and Swedish immigration in all its forms, including Buzz Aldrin's temporary immigration to the moon
Andersonville - and the second floor of the Nelson Funeral Home, to be precise - is the home of the long-running late-night show Too Much Light Makes The Baby Go Blind and its ever-changing menu of the funny, the profound, and the occasional tongue bath for a 20th century European ethos, intended to be accomplished within the confines of thirty plays in sixty minutes
Chicago's foremost source of cinematic delight, with two screens for classic and world-premiere independent movies and the occasional mini-festival